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call for entry emerging artist job posting monday morning eye candy movie day residency opportunity show us your influences technical tuesday workshops select page monday morning eye candy: sally blair by carole epp | aug 20, 2018 | monday morning eye candy | 0 comments sallyblairceramics.com call for artists: exhibition opportunity @ jane hartsook gallery (greenwich house) by carole epp | aug 18, 2018 | call for entry | 0 comments greenwich house pottery held exhibitions of ceramics almost since the day it was established in 1905, though it was not until 1970 that jane hartsook (director, greenwich house pottery 1945-1982) created a permanent exhibition space on the second floor of the pottery. upon her retirement in 1982, the gallery was renamed the jane hartsook gallery in her honor. proposals the jane hartsook gallery echoes the pottery’s commitment to supporting emerging and established ceramic artists who have demonstrated an innovative level of excellence within the medium. the gallery also promotes an educational mission to share historical and contemporary works in clay with a diverse community. the gallery accepts proposals from artists or curators where clay/ceramics is the primary medium. we aim to represent the wide-ranging capabilities of clay as a material and are interested in work that approaches the medium from art, craft, and design perspectives. the next deadline for proposals is september 1, 2018 . instructions for submitting a proposal can be found here . www.greenwichhouse.org/gh_pottery/jane-hartsook-gallery call to action by ayumi horie and tess mattern by carole epp | aug 16, 2018 | uncategorized | 1 comment in the wake of #metoo in ceramics, @potsinaction encourages every ceramics and craft organization to adopt and establish clear and unambiguous policies regarding inclusivity, diversity, and safety. it’s high time that leaders and educators in our field commit to more actively creating environments that are welcoming and safe to all, regardless of race, ethnicity, sex, gender, culture, disabilities, religion, age and socioeconomic status. while we have made progress, more work is needed. ceramic machismo and its perniciousness within clay culture has been tolerated for far too long. . don’t assume that your programming is without bias or that you’ve done all you can do. instead, be active in the education of your trustees, staff, and writers about the damage done from bias, prejudice, microaggressions, harassment, and assault. hire staff and elect trustees who mirror the breadth of diversity in this country. we understand that organizations are slow-moving ships and that it takes time to craft statements that reflect the core values and uniqueness of organizations. much of the important work done by art orgs happen outside the realm of social media, but posting publicly on this issue matters deeply. while an overnight response is not expected, this is a call to action to get the ship turning on all platforms. . if you are part of an organization, institution, or school, speak up! demand transparency and clarity about what steps they are taking to be more inclusive, diverse, and safe for those who don’t have equal privileges. victims and survivors need practical tools and support for where to go when an incidence takes place. for those of you who have reposted about #metoo in ceramics – thank you! now take the next step to compose your own statement or tell your #metoo story as a way to crack open the field and let in the light. if you have been part of this field, support survivors of sexual harassment by believing them and speaking out to change institutional policies. . image of viola frey, a powerhouse woman who worked within the male-dominated california expressionist ceramics movement of the 1960s. viola frey (1933 – 2004) is not defined by her obstacles. she was internationally known and revered during her lifetime and her monumental figures have made a profound mark on the art world internationally. however, in her 1995 @archivesamerart oral history transcript, she recounts the many ways she worked at a “double disadvantage.” she faced obstacles her male counterparts were unburdened by, including securing studio space, having her work dismissed or derided, and feeling isolated as a woman operating outside the “macho thing.” in the classroom, she says, “the feminist-type art had no chance at all.” excerpts from her oral history: viola frey: yeah. and it sort of did dominate. sometimes the faculty even would just attack in such a gross way that the student would be weeping, they’d be so upset at the way they were treated. it was pretty ugly. paul karlstrom: this is male faculty? viola frey: yes. they could not. . . . they would just say, “i cannot critique or look at a work like this.” a #metoo message from the past. photo by michael macor. — @ayumihorie and @tessmattern call for entry: wayne art center (pa), international call for artists: craft forms 2018 by carole epp | aug 16, 2018 | call for entry | 0 comments 24th international juried exhibition of fine craft deadlines: september 14th, 2018, midnight cdt digital entry deadline ($45 fee) september 18th, 2018 midnight cdt digital entry extended deadline ($65 fee) established in 1995, craft forms is dedicated to enhancing the public’s awareness of fine contemporary craft while providing a venue for established and emerging artists to share their creative endeavors. craft forms is internationally recognized as one of the premiere contemporary craft exhibitions. the finest works of ceramics, wood, fiber, metal, glass, mixed medium and 3d printing are featured, supporting the center’s mission of expanding the public’s awareness of fine contemporary crafts, and significantly benefiting all educational and outreach programs for children and adults. one of the most highly esteemed museum-quality craft exhibitions in the united states, craft forms consistently draws upward of 5,000 visitors during its two month exhibition. more than 250 guests, including art collectors, supporters of the wayne art center, and artists, annually celebrate craft forms and its companion show at the opening gala. the exhibitions and special events continue to attract local, regional, nation and international visitors throughout the duration of the show. juror : perry allen price, executive director, houston center for contemporary craft, houston, texas. previously, price was director of education at the american craft council (acc) in minneapolis, minnesota, where he developed, managed and implemented all aspects of local and national outreach and programming for nearly four years. he offers hccc a wealth of experience in arts administration, including project and fiscal management, fundraising, scholarship programs and exhibitions, as well as a passion for developing and fostering national relationships in the world of contemporary craft. eligibility : open to all professional artists working in clay, fiber, quilt, glass, metal, jewelry, wood, 3d printing, and/or mixed media fine craft. works submitted must have been completed after january 1st, 2016. if the work was accepted into a previous craft forms exhibitions, this work cannot be re-submitted for this or future craft forms . awards : our efforts to cultivate organizations that acknowledge artists in various disciplines are ongoing. we are very pleased to announce $8,000+ in prize awards this year. craft forms 2018 juror, perry allen price, will select the award winners on december 7th, 2018. once an artist is accepted into craft forms , future group and/or solo exhibition opportunities may become available at wayne art center. an abbreviated catalog of artwork will document the juried exhibition and two copies will be supplied to accepted artists. for more detailed information, submission guidelines and link to entry via cafe: https://www.callforentry.org/festivals_unique_info.php?id=5347 website link: http://www.craftforms.org/call-

URL analysis for musingaboutmud.com

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https://www.musingaboutmud.com/2007/09/
https://www.musingaboutmud.com/tag/sculptural-ceramics/
https://www.musingaboutmud.com/2010/05/
https://www.musingaboutmud.com/2013/05/
https://www.musingaboutmud.com/2007/11/
https://www.musingaboutmud.com/2008/04/
https://www.musingaboutmud.com/category/technical-tuesday/
https://www.musingaboutmud.com/2014/10/
douglasfitch.co.uk

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